“Der Thatcherismus und Andrew Lloyd Webbers Musicals” Vierteljahrshefte für Zeitgeschichte 70, 4 (2022): 817–841. Published in English as “Thatcherism and Andrew Lloyd Webber’s Musicals,” German Yearbook of Contemporary History, 7 (2023): 50–74.
“‘Let’s Have a Dance’: Staging Shakespeare in Restoration London,” in The Oxford Handbook of Shakespeare and Music, ed. Christopher Wilson and Mervyn Cooke (Oxford: Oxford University Press, 2022), 387–408.
“Schoolboy Performance in the Post-Reformation North-East,” in Music in North-East England, 1500–1800, Stephanie Carter, Kirsten Gibson, and Roz Southey (Woodbridge, UK: Boydell and Brewer, 2020), 173–189.
“English Music in Benefit Concerts: Henry Purcell and the Next Generation,” in Music and the Benefit Performance in Eighteenth-Century Britain, ed. Alison DeSimone and Matthew Gardner (Cambridge: Cambridge University Press, 2019), 145–161.
“Opera at School: Mapping the Cultural Geography of Pedagogical Performance,” in Operatic Geographies: The Place of Opera and the Opera House, ed. Suzanne Aspden (Chicago: University of Chicago Press, 2019), 26–38.
“‘Armida’s Picture We from Tasso Drew’?: Versions of the Rinaldo & Armida Story in Late Seventeenth- and Early Eighteenth-Century Operatic Entertainments,” in Music, Myth, and Story in Medieval and Early Modern Culture, ed. Katherine Butler and Samantha Bassler (Woodbridge, UK: Boydell and Brewer, 2019), 241–258.
“Courtly Connections: Queen Anne, Music, and the Public Stage,” in Beyond Boundaries: Rethinking Music Circulation in Early Modern England, ed. Linda Austern, Candace Bailey, and Amanda Eubanks Winkler (Bloomington: Indiana University Press, 2017), 185–204.
“Come Away, Fellow Sailors”: Musical Characterization of the Nautical Profession in Seventeenth-Century English Theatre Music,” in The Sea in the British Musical Imagination, ed. Eric Saylor and Christopher Scheer (Woodbridge, UK: Boydell and Brewer, 2015), 83–103.
“Madness ‘Free from Vice’: Musical Eroticism in the Pastoral World of The Fickle Shepherdess,” in The Lively Arts of the London Stage, 1675–1725, ed. Kathryn Lowerre (Farnham: Ashgate Publishing Ltd., 2014), 149–169.
“‘Our Friend Venus Performed to a Miracle’: Anne Bracegirdle, John Eccles, and Creativity,” in Concepts of Creativity in Seventeenth-Century England, ed. Rebecca Herissone and Alan Howard (Woodbridge, UK: Boydell and Brewer, 2013), 255–280.
“‘Hither this Way’: Musical Dryden for Nonmusician Students (and Nonmusician Teachers) (co-authored with Kathryn Lowerre) in Approaches to Teaching the Works of John Dryden, ed. Jayne Lewis and Lisa Zunshine (New York: Modern Language Association of America, 2013), 124–131.
“From Whore to Stuart Ally: Musical Venuses on the Early Modern English Stage,” in Musical Voices of Early Modern Women: Many-Headed Melodies, ed. Thomasin LaMay (Aldershot: Ashgate Publishing Ltd., 2005), 171–186.